samedi 14 février 2015

Loudest Whisper

Opening Night of Loudest Whispers at the Saint Pancras gallery,
"What I will never be" dress made with Vanessa Murrell picture By Jesús Rodríguez

“This dress explore the concept of cross-dressing through the figure of the artist Grayson Perry the "tranny potter" appearing in his alter ego "Claire" a cross between Katie Boyle and Camilla Parker-Bowles.
"People say if you’re trying to access some kind of feminine, emotional experience, dressing up is a rather crude way of going about it,"
 Diverting the function of an universally know icon, Ken, Barbie’s boyfriend by dressing it as a woman the piece question the gender identity through fashion and clothes and what is forbidden to on type of gender by a sexist society. 
 « I like to show people how manly I am. I am a man in a dress, and in a way it almost emphasises my masculinity."

Grayson Perry dressed as is alter ego Claire 
Grayson Perry about his personal style and his vision of cross-dressing: 

"Lot of trannies think they want to be women but I do worry that it feels like a logical explanation for a very illogical desire: "I want to wear women's clothes therefore I must be a woman in a man's body." It's much more subtle than that. If it makes a guy happy to chop his willy off then fine, but what's wrong with putting on dresses and still being a man?"

"The first time I cross-dressed in public I wore my mother’s houndstooth pleated skirt, a cream blouse, black patent court shoes, a beige raincoat and a headscarf. It was a hugely risky thing to do aged 15 in an Essex village but I remember feeling the excitement of potential disaster". 

"I feel sexier when I’m dressed as a woman because you get attention and that makes you feel special."

"I always wear lots of colour. It’s the one thing I’ve got to differentiate myself from the man in the grey suit. He’s the enemy" 

"The dress is only one element of the psycho-sexual process," he said. "Just because you don’t have a dress on doesn’t stop you being a tranny, in the same way as, if you’re not in bed with a man, it doesn’t stop you being gay."

 "Of course I worry about being fashionable…although I don't think about fashion so much, or trends, but I do like to wear a nice frock."


Make up of the Mannequin by Vanessa Murrell By Jesús Rodríguez

The self-referential  dress is at the same  time a dress representing different aspects of the artist but also a garment he could actually wear, taking elements of his personal style like big collar or childish tutu. The tapestry like pattern remind his own interest for tapestry as the one he created "the Vanity of small differences


By Jesús Rodríguez

Grayson Perry wears a lot of little girls accessories, ruffles, rustles and  puffed sleeves, that for him as the quintessence of femininity so we stitched looks of little girl tutu at the bottom of the dress. We created a drape that gives the impression that the dress lifts by itself to bow or maybe reveal her masculine attribute and create the surprise.  


With Vanessa Murrell By Jesús Rodríguez

The base of the dress is actually a woman dress turned into man-shape one, the patch of orange and red fabric showing this cross dressing transformative process.  
Ken dresses are all hand made, transformed from actual barbie dress, here again to show the process  going from a male to a female appearance, changing the cut and dimension, adding some piece of fabric to fit a masculine body.  It is a lot of embroidery work, hand stitching pearls, beads, sequins, rhinestones in order to create miniature haute couture dresses.  By doing this dresses you realise the power of scale on small dolls clothes. Fr example a colourful bead would be insignificant alone, but on a small dress, it takes another dimension, as it becomes a massive ornament. Proportionally a tiny bead becomes on a dress a giant brooch and modify the way of conceiving the design.  


By Jesús Rodríguez

This pink Barbie dress explore the concept of "Pinkisation", the glorification of pink in postmodern society with the breaking wave of “cute”, kawaii” aesthetic on social media in response to the economical difficulties of our world.  
 This dress gather all the pink objects that make Barbie's pink world wear everything is pink from the radio to the cooking tools. It could appear like the dream dress of every little girl but also like an “over the top bimbo garment that express the difficulties of women to position themselves in society.  
The Grayson Perry dress is staring at it with melancholy, seeing the paroxysmal ideal of what he could never be whereas his own beauty emerges from his  failures & contradictions. 



I created this performance especially for the Opening Light of Loudest Whisper exhibition. I stitched on a leotard lots of barbie legs (not the real one- imitations one you find in pound shop which are great to use on garment because they are very light).  I created little tutu to make some can can skirt. Then I sewed as many trousers as I had pair of legs (I felt like in a sweat shop making little trousers working in a production line). Then I attached some silver ribbons to all the trousers.  So basically when you put the trousers on the legs and the tutus inside the trousers, they look like men's legs. But I asked to the audience to pull out the strings  revealing the bare feminine legs and the tutu that bloomed  like a flower.  It was like a striptease where only the dolls get naked, playing on the ambiguity between gender identity through clothing.  

Come and visit the exhibition, will be on till April! 


Inspiration for the performance: the Jean Paul Gaultier dress 


This Kimono  made for Sue Kreitzman is a fresco about my personal story of feminism and attempts to feature  everything a modern woman need and aspire in her  personal, social,  spiritual and professional life. At the top you have spirituality that represents lots of religion &beliefs. You have the love and family section, the nature one, the art & passion one, the studies and work one and the travel one.  This work is about defining the status of women in post-modern society through objects she owns and uses.  It shows the versatile side of women that can be everything at the same time, a mother and an artist,  a housewife  and a business woman without being in the contradiction.   
I used some shrink plastic to write some quotation from Feminism History like “A woman without a man is like a fish without a bicycle. Gloria Steinem” next to the figurine of the perfect brig room. or  “The thing women have yet to learn is nobody gives you power. You just take it. ”Roseanne Barr next to a blue hair muscly blue hair wonder woman.  



By Anthony Lycett 

At the beginning I wanted to make a big piece of necklace but the project became overwhelming and I got inspired by  Bayeux tapestry which depicts the events leading up to the Norman conquest of England or the digitally made tapestry of Grayson Perry evoking Britishness.  I was interested to use an Art that constructs a visual story  in order to  produce a "narrative garment" and  use the discrepancy between an ancestral technique and a modern subject. Tapestry is the art form of grand houses: depicting classical myths, historical and religious scenes and epic battles. I liked the idea of using this ancient allegorical art to elevate the story of Feminism.  
 The Kimono is between the tapestry and the fresco, a technique where the painter simultaneously  create lot of small "tableaux vivants"  because of the drying technique where he has to fix quickly  all the character sat the same time in the sealant before it dry.  

By Anthony Lycett 

This garment is the result of two months of collecting, sourcing, skimming  car boot sales and charity shop.  I like to work with miniature objects as they allow me to recreate a little microcosm.  I drilled whole with a mini drills in all the objects and hand-stitched them on the soft body of the barbie dolls and on the  tapestry fabric.  This project open my eyes on the magical effect of necessity. Theses things you found by chance, that you could have never found, that you would have never know they actually exist and suddenly become indispensable, and irreplaceable, the contingent becomes essential.  For example you could in your scavenger hunts you could never had found this pretty little plastic trumpet or this colourful electric guitar but when you got them you can't imagine the  complete piece without them, and because I am very messy I tend to mislead things and had to turn my room upside down in order to  find it before carrying on.  

Commission work: 



By Anthony Lycett 
A friend asked me: could you make a Rhinoceros necklace, this is my favourite animal? (She actually has a whole collection of rhinoceros statuettes in her living-room).   Yes sure, just has to go to rhinoceros hunt! She wanted them to hang so I put a lot of chains and made the middle rhinoceros as a hunting trophy.
By Anthony Lycett 

By Anthony Lycett 

Cat necklace commission: 
By Anthony Lycett 

By Anthony Lycett 

Made  this custom made piece for someone wanting to wear her Breyer horses from childhood around her neck! If you can't play with your toys anymore, wear them as a necklace! 


Custom made brooch inspired by Frida Kahlo Self Portrait with Monkeys, Bird of Paradise Flower, 1943, I like the idea to have a painting turned into jewellery and produce wearable art! 


Last but not least, the beautiful and really Pink Sara in love with  wearing my "little barbie object necklace on her fabulous blog


It is always amazing to see your creation coming to live an very inspiring people with unique style! 




lundi 9 février 2015

Military spice girl dress

Picture by Cecilia Cooper-Colby at the RAF Museum 

In the summer I was asked to make a great costume through Jessica Beck who is directing the play WTF.  a military costume combining RFA & spice girls aesthetic a dress in other words, the dream project.  The kind of dress you will never find in a shop. The challenge was to combine the boyish though  and 90's grunge aesthetic of the army and the glamourous, sexy and showy look of the spice girls.  
Picture by Cecilia Cooper-Colby at the RAF Museum

What I love in my costume designer job is that you meet always amazing people  like Rebecca Crookshank with  amazing stories that allow you to dive you in a different world every times. Then you need to make some  very specific researches, consult archives as for example I didn't know anything about RAF. 


Camouflage print normally reserved to battle fields has invited catwalk, especially Jean Paul Gauthier the king of fashion hijacking proposed a revisited chic interpretation of the army print. 


Diverting Camo print primal function to merge in the background, contrary to that I made it really showing and sparkly by using sequins fabric.  

Picture by Cecilia Cooper-Colby at the RAF Museum

Spice girls and army style a strange mix?  not so much as Spice girl had worn a lot of military inspired stage costumes.  


Spice girl is not my generation, definitely the incarnation of 90's style, I heard of them in primary school but I wasn't cool enough to listen to pop music and I missed (maybe for my own benefit) all this golden age boys and girls band.  But During the summer I met the  great artist Liz West in Manchester  who, apart for making amazing light installations is  owning the biggest collection of spice girl clothes and accessories in the UK. She generously gave me the book with the photographies of all there collection with  for example picture of spice girls camouflage knee- high boots designed by Buffalo worn with a camouflage nylon hot pant worn by Mel B in "Alien" Scene in 1997.  When I got the brief,  few months latter, I felt it was a sign! 

Picture by Cecilia Cooper-Colby at the RAF Museum

I wanted to make the dress really floaty to combine a glamourous 50s hollywood aesthetic with the military style and to be able to reproduce famous  fashion shoot with artificial wind with the plane background. 



  Because the show is partly  about British identity, I used a Union Jack flag as a skirt to remind the patriotic RFA and I covered it with sequins to refers to the Union Jack dress worn by Geri Halliwell  at the BRIT awards in 1997. I had already made a Union jack costume for an allegoric costume of "National Anthem" (see on my instagram gallery)  which is quite ironic for a French girl!






"1997. Hungover from her 17th birthday, Crookshank, a wannabe Spice Girl, signs up for the Royal Air Force.

Based on Crookshank's time serving Queen and Country protecting the UK Air Defence Region, Whiskey Tango Foxtrot charts her journey from basic training to the Falkland Islands. From feeling low to flying high (literally, in a Tornado F3). Join Crookshank and some penguins for this heartwarming and hilarious adventure per ardua ad astra... Through adversity to the stars."

Get your ticket HERE

Picture by Cecilia Cooper-Colby at the RFA Museum


Picture by Tania Olive 

For the head piece I god inspired by actual RAF uniform one that I made in felt and covered with green sequins fabrics.  I gold-sprayed a big plane that I found in a toys shop and add some sparkly gems to emphasises the discrepancy between the army style and the glamour look of my costume.  

Picture by Tania Olive 
For the necklace and shoulder pads, i used little war soldiers that you can find in toy shop. This is part  my  aesthetic of diverting  the function of toys and common reference iconic objects  and integrate them into clothes. 
Picture by Tania Olive 


 For the pattern I got inspired by designer Dominic wilcox  whose War bowl is made by melting historically accurate plastic soldiers from past battles.


To mark the 10th anniversary of the War Bowl two new versions have been created. The red Battle of Waterloo bowl is made with melted British Artillery and French Infantry figures. The black English Civil War bowl uses Royalists and Republican figures. 




picture By Tania Olive 


Picture by Tania Olive 
For the back of the dress, I actually found in my local charity shop in Paris some real plane models. They were really dusty but really well-made and you can imagine a old guy getting rid of his all collection of model tiding his attic. I love to invent crazy stories about my finds in charity shop  but is is just amazing to find exactly what you need by chance when you are working in a project.  

Picture by Tania Olive 

I  recreated a sky with blue organza fabric and white foam cotton , inspired by the movie Science of Sleep (2006) where Michel Gondry use very childish and naive trick as special effect like plastic bags for the running water and I stitched the plane in this artificial sky.  

Picture by Tania Olive 



Get your ticket for the Show HERE
Follow Rebecca on twitter and instagram 




lundi 12 janvier 2015

Bright young & old things

by Anthony Lycett 
Let me wish you an Happy New Year with my flower dress which is a costume for a  an evolutive performance, with a net structure where the audience add the flower according to its own creativity. (more picture on my instagram gallery) 

By Anthony Lycett 
In the middle of the dead vegetation at the heart of the winter, this flower dress blossom as a the promise of the spring return and the creative life after an hibernation time.  

By Anthony Lycett 



The best event of this beginning of the year: Sue Kreitzman window in Selfridges who basically transplanted her magical & psychedelic  living room on Oxford street for Bright Old Things.  
Among de monochrome formatted commercial windows of the Main street,   your eyes are automatically attracted but this outrageous symphony of colours and there is always a little group taking pictures or selfies in front of Sue's master piece.  Sue Kreitzman managed brilliantly to feat  of recreate an art gallery on the commercial high street and bring a wind of creativity and self expression to the masses! 


I am so proud to have my portrait with her painted by Ella Guru. No everybody can boast about having his painting  done by a  talented artist and even less can boast about having it exhibited on Oxford street! 





Sue's colourful tribe! Diane Goldie made the gorgeous kimono that Sue's mannequin is wearing, Ella made the painting and Anna supervised the whole installation! 


Wearing my own dress & head pieces at the launch event. The dress is made with lot of similar barbies heads alternating blond and brunette creating tassels! 


Dresses & accessories for the editorial "pretty in pink" styled by Christobelle Batchelor, pink is one of my favourite colours, not because it is girly but because it is beautiful! 
My mermaid head piece worn by Chantelle Pidgley 

Mermaids necklace worn by Chantelle Pidgley 

pink hair barbie necklace available on my online shop 


My creations used for a fashion shoot with the singer Pharella (check her Facebook page)  styled by La Zazu, I like to work with artists and performers because I seem my design are sometimes more relevant to stage costume than fashion outfits.  

legs earrings available on my online shop 


dinosaurs bracelet available on my online shop 

Plate hair  dress made for Butchers salon window (read the article here

Point Info: In Marie Claire China! ready to conquer the world! 



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